Wednesday, April 24, 2013

Thursday, April 18, 2013

Everything Is A Remix

Heavy sigh. It's been too long once again. But, as you may have imagined, I've become very busy once again maintaining school and work at the same time. Being that it is my last class at AM it will probably be my busiest quarter. That being said, I wanted to post these videos that I found a while back. I was reminded of them when my mentor was using them as an example in his lecture. Enjoy!


Everything is a Remix Part 1 from Kirby Ferguson on Vimeo.


Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.


Everything is a Remix Part 3 from Kirby Ferguson on Vimeo.


Everything is a Remix Part 4 from Kirby Ferguson on Vimeo.

Stephen

Sunday, March 31, 2013

Class is Back in Session 02

Hey Everyone! I apologize for the lag on posts, but as to be expected I became SUPER busy with finishing up my shot. Things at work have also gotten very busy as well, the good kind of busy though. Anyhow, I just wanted to share my progress reel up to this point in my time at Animation Mentor. My teachers have been absolutely amazing so far and I can't wait for this term. It should be awesome! Until here!


Class 05 AM Progress Reel from StephenE on Vimeo.

Stephen

Sunday, March 24, 2013

Animation Exercises

Hey Everyone! Just wanted to share some exercises I found via AnimatorIsland.com. :)

http://www.animatorisland.com/51-great-animation-exercises-to-master/


Wednesday, March 20, 2013

TED Talks on Animation

Greetings once again! Sorry for the lack of posts, I've been super busy finishing up my shot. I just finished so I'll be able to get back to posting more. I'll post my shot for this term as well soon enough. But in the meantime, here are some TED talks on animation that I saw a while back. Enjoy!

Andrew Stanton on Story


Jason Schleifer on Animation



Enjoy!

Stephen

Wednesday, February 27, 2013

Body Language

No Bouncin' Ball this time! Just a History Channel documentary on Body Language. Enjoy!



Stephen

Monday, February 18, 2013

Bouncin' Ball #6: Control

I think the topic that I'm going to cover today has been referred to in a couple of different ways. I remember reading about it on Jean Dean Haas' blog and he referred to it as "animation jerk off". I'd just like to refer to it as "Control". Animate with control. This is another one of those things that students just beginning to learn animation struggle with as well: the discipline to not animate just to animate. More often than not, all of the animation that you create should be character driven. Don't just animate something a certain way just because it looks good "animationally" (I coined that myself =D), it should be necessary and it should be genuine to what the character feels at the moment. Now, just as with all things in animation and all rules, there are exceptions, but most of the time you're striving to achieve the right balance of what looks good "animationally" and what feels good acting wise. Just because a certain movement or gesture may look nice and be pretty to watch, it may still feel very empty and not very genuine. The most resonating performances always affect people emotionally, they move people, they connect with people. That doesn't just go for animation, that goes for any art form. So as tempting as it is to "move stuff because it's awesome" practice control and let the character speak their mind and not just you yours. Work together with your character and find out how both of you can get the most satisfaction out of what you create so that hopefully you can create a resonating performance for the normal audience and beautiful animation for the animation audience. Remember, "Control", and keep that ball bouncin'!

Stephen 

Wednesday, February 6, 2013

Monday, January 28, 2013

Bouncin' Ball #5: Animation Goggles

There's one place that I know we've all been to: The Zone. Everyone's been in "The Zone" and not even necessarily when animating, it could be while doing other things. It's that point of focus where you can't see anything else, can't hear anything else, and can't do anything else. It's sometimes the preferred mode that you want to work in because you feel like (and this quite possibly may be true more often than not) you get a lot of good, quality work done. But, where is that point in "The Zone" that isn't so beneficial anymore? That point where you've been in "The Zone" too long and can't see the big picture anymore? Being in "The Zone" may sometimes become a determent to our animation. It's something that I like to call "Animation Goggles" (quite similar to beer goggles). Whether you've been trying to re-work timing, finesse an arc, get just the right amount of drag and follow-through, just enough overshoot and settle, we all get to a certain point where we're looking at our shot with Animation Goggles and can't really tell whether there are better animation decisions that you can be making. What's so funny is that when you're looking through those goggles, you can't really tell what else to do or what else to fix after a while, but then when you look back on it at a later date you say to yourself "What the heck was I thinking???". But, have no fear (well, maybe a little), the best remedy I've been told and found to Animation Goggles is to SHOW PEOPLE YOUR WORK. Which I'll cover in another post. Keep that ball bouncin'!



Stephen

Monday, January 21, 2013

Bouncin' Ball #4: Inspiration


How does the saying go? Different strokes for different folks? Whatever floats your boat? To each their own? These are just other ways of saying that people react to and are affected by things differently which leads to what I want to talk about in this post: inspiration.

What do you do to get inspired? Do you have a little routine or ritual before you start working? Do you have something to look at and surround yourself with while you work? Is there a particular type of music or sounds you listen to? What or where do you go to when you need it?

Inspiration is an amazing thing. The equivalent of inspiration suddenly hitting an artist is like a bolt of lightning striking; it's that instantaneous and shocking. In the blink of an eye, out of nowhere, you get this urge, this need to create something and you can see it as clear as day. There are certain things that I have around me whenever I'm working. Surrounding both my desks at work and at home are: toys ranging from action figures, to die cast metal figurines, to vinyl toys, to stuffed toys, and even dolls (the manly kind, ehem), books about film, animation, drawing, art books, and comic books, and I always listen to music but the type of music I listen to really depends on how I feel at the moment. Those three things are often times way more than enough to keep me going while I work. I especially find that having books out and open while animating or drawing really inspire me, help me, and really take my work to that next level noticeably. I don't know how to explain it, but it just works. I feel like my work is better when I do that. It's almost like how the food that you're eating tastes better when you watch the Food Network (or is that just me?). Whatever things or methods get you inspired, take the time to do them, practice them, engage in them, surround yourself with them, it will work wonders. I saw this TED talk by John Cleese on creativity a while back and I think it's quite appropriate about the topic of inspiration. Check out it out, and keep that ball bouncin'!




Stephen

Monday, January 14, 2013

Animation Gold

Hey Everyone! Sorry for the delay between posts, I just started getting back into the groove of everything again (work, school, etc.). For this post I wanted to talk about some Animation Gold. If knowledge is power, and books are full of knowledge, than books are gold! I have plenty of animation books, but there's a set of books that I got recently that are probably the best ones I've gotten so far. They're the latest addition to the Disney Animation Archive Series: The Nine Old Men.



This set is a box of nine flip books, every one of them done by one of the nine old men. Each one of the flip books contains scenes from different classic Disney movies. Being able to flip through these is such a good resource to have. It's amazing how strong their principles are and how apparently you can see them. I HIGHLY recommend it. I ordered this in the earlier part of last year and they finally came in. This is the fifth installment of the Disney Animation Archive series. The previous books before this set are fantastic also.




You can find all these books an Amazon here. Keep that ball bouncin'!

Stephen

Thursday, January 3, 2013

Class Is Back In Session

Happy new year, everyone! Class is back in session and I can't wait to get that ball bouncin'! So as I've mentioned in my first post, I am an animation student and I thought now would be a good time to shed some light on that subject. I'm an Animation Mentor student. I had applied a few times previously, but for one reason or another, it just wasn't the right time (financially, life, time, etc.). Then finally, the stars aligned and I was able to fully commit to attending. Then, what was even better, was that Advanced Placement had just opened up as I applied. So I submitted my reel and the mentors felt that I was ready to start at Class 04! Score! So, last term was my first term and it was Class 04: Intro to Acting. I learned SO much and it was SO much fun! Now, I'm in Class 05 and after getting a taste of acting in Class 04, I'm craving it more and more! It's just so fascinating with all of the little details, the nuances, and the complexity of it all. A lot of what I learn and have learned through my time at AM will influence a lot of what I write on the blog as well as my past experience at an Art School that didn't turn out to be what I was looking for in a school, but more about that in another post. So in case, you're curious, and so that you can size up how bad (or good) I am, I'm going to put myself out there and post some reels. The first is my progress reel from my last class, Class 04: Intro to Acting. The second reel is the reel that I used for advanced placement full of material that I had accumulated while working. Until here! And remember, keep that ball bouncin'!

Stephen Eusebio Class 04 Animation Mentor Progress Reel from StephenE on Vimeo.


SAE Demo 2011 from StephenE on Vimeo.




Stephen